In search of stories: A young Montana filmmaker seeks projects full of emotion

 

¶ ‘In a film, each frame should be a masterpiece. That’s why I look for the beauty all around me.’

Haylie Sunshine, Films of the Human Heart

By Haylie Peacock

Early beginnings of Haylie Sunshine

John Denver and Three Dog Night floated around my childhood home through the 2000s, bumping my little hips back and forth while I head-banged with Dad, the horrific green carpet our backdrop. The treasured cassette stereo worked day in and out to keep up, while the boxy TV gathered dust a few inches to the left.

I grew up living a life that didn’t need television. It was better than anything you would see on screen: grandiose mountains of Glacier National Park rose above my backyard, an escaped elephant from the local circus at the backdoor, daily adventures with my grandparents, and riding horses bareback through the woods hardly left time for sitting inside.

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Taking that long drive to heaven on Montana’s two-lane highways

By Kevin S. Giles

It’s dawn in oil country. Workers leave the motels early in oversized trucks, heading to the rigs. There was a time when they rented every sleeping room within 100 miles of Williston. Travelers heading west through North Dakota ought to plan ahead.

We pack up and cross the border into Montana through some of the emptiest land in America. A fair bit of driving takes us to Glendive, situated prominently enough that it resembles an oasis in the middle of a great prairie desert. It’s a small city, really, but population is relative in eastern Montana where Glendive’s 4,000 folks outnumber residents in some entire counties.

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Montana memory: when a man, resembling a boy, arrived in our little town

(I originally published a shorter version of this post in my monthly e-newsletter. If you wish to join my free mailing list, add your email address here.)

By Kevin S. Giles

When I was young I knew a man named Mickey. Despite his graying temples he was more of a boy like me. Mickey arrived in our hometown of Deer Lodge, Montana, in the summer. He became a conspicuous presence around town as he rode his bicycle everywhere, a thirty-something man pedaling with an oversized wire basket attached to the handlebars. The basket, he told me, was for running errands for the nuns at the Catholic Church.

Mickey came from the state school for the developmentally disabled at Boulder. My parents explained that a new law sent people who lived in institutions to towns and cities across Montana to live among us. I didn’t know much about such things at my tender age. However, I did come to know Mickey. When he saw me he smiled and shouted my name, showing the big gap between his top front teeth. “Kevvvvin!” he would sing, sincere in his enthusiasm.

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That memorable time renting in Alberton, Montana, autumn 1973

By Kevin S. Giles

That dog looked obedient enough, staring at us with shining eyes and nary a whimper until the retired teacher told us Tippy was dead and stuffed and nailed to a board. A black poodle she couldn’t bear to part with when the parting time came. Dead dog on a board decorating the living room in the dead old house.

The house sat on a hillside beneath an umbrella of trees, pretty enough at a glance. Just out the back door, half a dozen steps north, the mountain began its steep climb to somewhere a thousand feet above us. Watch for bears when you hang your clothes outside to dry, she warned us. They come around, right down that mountain, wandering into the yard just as they please. They like it best after dusk.

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