Why I wrote ‘Mystery of the Purple Roses’ and other secrets of my writing life

Photo shows manuscript page from 'Mystery of the Purple Roses"

Write, revise, rewrite. On it goes as a writer strives to improve the story. Photo by Kevin S. Giles of personal ‘Purple Roses’ manuscript.

Kevin S. Giles, why did you decide to write a mystery novel?

My first inspiration came from The Black Lizard Big Book of Pulps, a monstrous compilation of magazine stories from the heyday of gritty detective stories. When my wife gave me the book I promised I would read all of the 1,100 pages before my death, presuming it didn’t come early. These “pulp” stories, named after cheap paper used to print them, appeared in popular crime magazines in the 1920s and 1930s and in “dime novels” that found wide audiences.

Pulp heavyweights such as Raymond Chandler, Dashiell Hammett and Erle Stanley Gardner spun stories of hard-boiled detectives who solved crimes — usually the hard way. I didn’t know much about pulp fiction until I began reading this big book. Soon I understood why people bought these stories. The characters got right to business, good or bad.

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Welcome to the mysteries, crime reporter Red Maguire. Now go solve murders!

By Kevin S. Giles

I’ve read mysteries where the whodunit is truly glaring from early in the story, but I didn’t want to believe it was true.

I’ve read other mysteries that deceived me into thinking I had figured out the killer when the ending revealed it was somebody else.

And then those others, where the unfolding of the story is more of the reader reward than the surprise ending.

Good mystery fiction mirrors real life. We humans are capable of entangling ourselves in countless predicaments. Headlines prove that every day.

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Tell it like it is? Life experiences, all of them, make fodder for good novels

By Kevin S. Giles

Did you know most of you are writers? Potentially writers, at least?

(And no, I’m not your long-ago English teacher coming to haunt you, so relax.)

Writing doesn’t require any qualifications, certifications, degrees or pedigrees.

But life experience? Yes.

Who doesn’t have life experience? It’s the cornerstone of all writing. For purposes of example, let me take you back to English class (painful as this journey might be) for just a moment.

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Reunions remind us of time and place, also restore valued face-to-face contact

Photo shows class reunion

Kevin S. Giles with high school classmates (and longtime friends) Eric and Don at the July 2019 all-class reunion in Deer Lodge, Montana.

By Kevin S. Giles

Long before social media became a convenient tool for organizing reunions (or displacing them), people traveled great distances to enjoy face-to-face gatherings with friends and relatives.

Today reunions endure. We have reunions to celebrate music, religion, employment, ethnic heritage, history, neighborhoods, cities and military service.

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Taking that long drive to heaven on Montana’s two-lane highways

By Kevin S. Giles

It’s dawn in oil country. Workers leave the motels early in oversized trucks, heading to the rigs. There was a time when they rented every sleeping room within 100 miles of Williston. Travelers heading west through North Dakota ought to plan ahead.

We pack up and cross the border into Montana through some of the emptiest land in America. A fair bit of driving takes us to Glendive, situated prominently enough that it resembles an oasis in the middle of a great prairie desert. It’s a small city, really, but population is relative in eastern Montana where Glendive’s 4,000 folks outnumber residents in some entire counties.

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Personal experience in reviving a dying child, and thoughts on lifesaving rescues

Photo shows CPR

CPR on a small child requires a lighter touch to avoid breaking ribs. This photo links to a site that explains the procedure in detail.

By Kevin S. Giles

Commotion from a crooning bear named Billy Bob and his band’s clashing symbols hid the first cries of distress. I didn’t expect to encounter a dying toddler at ShowBiz Pizza.

I had gone there with my family for lunch. We were somewhere in Kansas City several years ago.

As the girls watched Billy Bob and his cacophonous crew in the back room, I went to the men’s room. I heard wailing. It was high-pitched and mournful.

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Kevin S. Giles talks about nonfiction writing in ‘Eight Essential Secrets …’

Cover of 'Eight Essential Secrets'

My guide to nonfiction writing is now available on Kindle.

By Kevin S. Giles

Reading about writing nonfiction isn’t the same as doing it yourself.

I learned that through trial and error.

Somewhere in the midst of writing “Jerry’s Riot: The True Story of Montana’s 1959 Prison Disturbance,” I decided that after I published, I would write a concise book to help writers avoid common pitfalls.

Some years went by. As I wrote and published “One Woman Against War: The Jeannette Rankin Story, I renewed my desire to help fellow writers launch their own nonfiction stories.

Finally, I got around to it.

My short book, Eight Essential Secrets for Beginning Nonfiction Writers, draws on my personal experience. It can be read in an hour or less. I didn’t want to encumber nonfiction writers with volumes of advice. Instead, I give them straightforward tips to put to work right away.

Successful nonfiction requires diligent research, a deep pool of accurate facts and a flair for storytelling. It also requires focus because success depends on the quality of the idea.

I spent a blur of evenings and weekends working on my nonfiction books. Sometimes I became discouraged at all that work ahead of me. In those moments I reminded myself that I had embarked on a long journey. Every few steps took me closer to the end.

Do you have what it takes to write nonfiction?

Are you curious, relentless, enduring and inspired? I’m betting so. None of us know until we try.

Find Kevin's books on Amazon (and leave a review, please!)

Western Montana native Kevin S. Giles wrote the popular prison nonfiction work Jerry’s Riot, the coming-of-age novel Summer of the Black Chevy, and a biography of Montana congresswoman Jeannette Rankin, One Woman Against War, which is an expanded version of his earlier work, “Flight of the Dove.” His new novel, Headline: FIRE! is the third in the Red Maguire series. Masks, Mayhem and Murder is the second. The first is “Mystery of the Purple Roses.” More information is available at https://kevinsgiles.com.

Memories of pre-wildfire Paradise and California psychic Harold Cameron

Photo of Author Harold Cameron

I met Harold Cameron in Montana when I interviewed him for a news story about his new book, “Night Stalks the Mansion.” We subsequently wrote a book together, although it remains unpublished.

By Kevin S. Giles

Grim fire news of “Paradise lost” in California brought back memories of visits to the city when I was writing about a man’s psychic experiences.

Paradise was home to Harold Cameron, author of a curious ghostly memoir, Night Stalks the Mansion. The nonfiction book was a gripping tale of his family’s experience in a haunted house in Pennsylvania and his subsequent discovery of evidence of murder and suicide. As commonly reported in similar cases, earthbound spirits in Harold’s house perpetually re-enacted tragic decisions, their footsteps echoing night after night.

“It can happen to anyone,” Harold told me. “We are approaching a time when all mankind will have an awareness of an extra-terrestrial experience.”

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Once upon a time somewhere on a Montana highway, eastbound

Photo shows empty highway

On the road, you never know what’s over the next hill. Photo by Kevin S. Giles

By Kevin S. Giles

Only room left in town.

Door won’t latch, casing splintered, footprint on the door.

Ashtray overflowing beneath no smoking sign.

Motel promises local channel. Nothing but gray fuzz.

I go outside. Kitchen chair by the door is the old metal kind with chrome legs and padded seat. Suspiciously resembles furniture at the diner down the road. Had a burger there, two pickles and an onion slice. Ketchup if you ask. Not bad, considering.

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Saving historic buildings, in western Montana and everywhere, makes good sense

Photo of Montana grade school

Central School, which opened in 1884, had 13 classrooms and commanded a large city block. It was closed and razed in the late 1960s because of concern that its cavernous central hallways and wood floors would feed a disastrous fire. Photo supplied by Dale Case.

By Kevin S. Giles

I am reminded lately of how the disappearance of old buildings changes the character of cities and countrysides in often undesirable fashion. Not everyone agrees, of course, that history-altering demolitions inflict harm. Some people don’t hold sentimental attachments to old buildings, seeing them as impractical barriers to progress.

Recently I wrote about the value of hometowns, particularly mine. Deer Lodge, Montana, is often cited as the first incorporated city in the state. Despite the losses of several notable buildings over the past five decades, Deer Lodge remains a western town. It traces its roots to the early mining and Civil War eras, still wearing its history well, with enough of the very old infrastructure left to impress on us how the past can survive the future.

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