Memories of summer jobs, and that oh-so-regrettable mosquito truck incident

Photo shows two Montana boys

Cousins Hugh Wales and Earl Cook (right) outside hop kiln, Yakima Valley, in the summer of 1967.

By Earl Cook

Kevin S. Giles’ novel, Summer of the Black Chevy, took me to a time and place where our community had a spirit of vitality and promise. Young Paul Morrison was typical of many young people then who started early on with some work after school, or on weekends, and then a summer job. Opportunities to work were plentiful.

I once delivered the news. Grade school. It was The Seattle Post-Intelligencer. Sunday edition, delivered Monday after dinner. Twenty cents a copy. It was a tough sell and I had but seven to 11 regular customers, for a very short run. It was hell going door to door in sub-zero temperatures. I believe my customers subscribed out of empathy. I got to keep a dime for each paper sold. And though I wasn’t going to get rich, it was worth its weight in “funny papers.”

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Houses in Montana when we were kids, and the meaning of being at ‘home’

Photo shows childhood house

Here’s my final home in Deer Lodge, Montana. It was the last of six houses where various stages of my youth took place. I returned here many times, but as an adult. It was a homey place, a refuge.

By Kevin S. Giles

I lived in six houses in the 12 years I spent in public schools, all of them in Deer Lodge, Montana. Each time we moved I left a piece of me behind, less perceptible than the pencil marks on the walls where my mother measured my escalating height. Scattered behind me, like pages ripped from a diary, were memories formed by physical proximity.

They linger in the shape of walls and size of rooms, and the number of rooms, and stairwells and pantries, and dim lights that made it tough to read a textbook at the kitchen table after dinner. Physical spaces frame events and interactions that make us who we are. It’s destiny to find our more mature selves in unfamiliar rooms of the next house.

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